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	<title>Ellen Yeong Gyeong Son</title>
	<link>https://ellenygson.info</link>
	<description>Ellen Yeong Gyeong Son</description>
	<pubDate>Sat, 19 Oct 2024 01:59:37 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://ellenygson.info/Home</link>

		<pubDate>Mon, 22 Jun 2020 06:25:00 +0000</pubDate>

		<dc:creator>Ellen Yeong Gyeong Son</dc:creator>

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		<description>&#38;nbsp;Ellen Yeong Gyeong Son &#38;nbsp;
	

ABOUT &#38;nbsp; ︎&#38;nbsp; &#38;nbsp;︎ &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
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		<title>About/CV</title>
				
		<link>https://ellenygson.info/About-CV</link>

		<pubDate>Sun, 28 Jun 2020 13:48:36 +0000</pubDate>

		<dc:creator>Ellen Yeong Gyeong Son</dc:creator>

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Ellen Yeong Gyeong Son &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	︎ &#38;nbsp;︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;





	






About
	
	




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&#38;nbsp;Artist Bio
Having lived in Korea, Singapore, and Australia, Ellen Yeong Gyeong Son uses scratching, sewing, drawing, performance, and texts to explore transculturalism, linguistic limitations, and cultural issues. 

Son has received grants and awards, including the Chapman &#38;amp; Bailey Award (2016), the National Gallery of Victoria Women’s Association Award (2017), and the Immerse Festival The Best Young Artist Award (2017). Son has received a Bachelor's degree in Fine Arts with Honours (First Class Honours, 2017) and a Master's degree in Urban and Cultural Heritage (First Class Honours, 2022) from The University of Melbourne.
------------
These photos were taken by Leah Jing for the interview at Liminal Magazine.&#38;nbsp;
Read the interview here

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Artist CV - Ellen Yeong Gyeong Son

Education


2022
	Master of Urban and Cultural Heritage, The University of Melbourne, Australia (First Class Honours)


	

2017


	

Bachelor of Fine Arts with Honours, The University of Melbourne, Victorian College of the Arts, Australia (First Class Honours)



Awards / Grants / Residencies

	

2019


	

City of Yarra Small Project Grant, Melbourne, Australia ($1000)Emerge in Yarra Festival Commission Fee, Multicultural Arts Victoria, Australia ($500)SEVENTH Gallery Exhibition Fund &#38;amp; Artist Fee, Australia ($200) City of Yarra Exhibition Program Fund &#38;amp; Artist Fee, Australia ($650)
 




	

2018


	

City of Yarra Small Project Grant, Melbourne, Australia ($1000)Emerge in Yarra Festival Commission Fee, Multicultural Arts Victoria, Australia ($500)SEVENTH Gallery Exhibition Fund &#38;amp; Artist Fee, Australia ($200)City of Yarra Exhibition Program Fund &#38;amp; Artist Fee, Australia ($650) 




	2017
	

Immerse 2017 The Best Young Artist Award, Knox, Australia ($1000)The National Gallery of Victoria Women’s Association Award, Australia ($1500)




	

2016


	

Chapman &#38;amp; Bailey Award, Melbourne, Australia ($100)




	2015
	

Melbourne Global Scholars Award, Melbourne, Australia ($10,000)



Solo Exhibitions

	

2019



	

WAHLAU-EH, EAT MY YEOT SH*T, Emerge in Yarra Festival, School House Studios, Australia, Melbourne
Mi Gordito Lindo, They Bù xūyào Yeo Gwon (My Flower Pig, They Don’t Need a Passport), Fitzroy 		 Library, City of Yarra Exhibition Program, Australia, Melbourne


In the name of love : 사랑이란 이름으로, SEVENTH Gallery, Australia, Melbourne




	2018
	

Between You and I, KINGS Artist-Run-Initiative, Australia, Melbourne








	2017
	

回 , SEVENTH Gallery, Australia, Melbourne



Group Exhibitions


2024

	Itineraries of Escape, Side Gate, Australia, Melbourne, curated by Anna Dunnill


2023

	Minor Feelings, Nabe Studios and Craft Contemporary 2023, Australia, Melbourne, presented by Trocadero Projects, curated by Kelly Yoon
2022

	Hyphenated Biennial, The Substation, Australia, Melbourne, curated by Nikki Lam and Phuong Ngo



2021

	



Disobedient Daughters, Counihan Gallery, Australia, Melbourne, curated by Sophia Cai



	
2020
	
Shelter, Multicultural Arts Victoria, Australia, Melbourne (online exhibition)

	2019
	

Everything that exists in the current, Due West Festival, Melbourne
Mother, Bus Projects, Australia, Melbourne



	2018
	

The Depth of Simplicity, Mapping Melbourne Festival, spAce@collins, Australia, Melbourne, curated by Pimpisa Tinpalit


Omnipresent Uncertainty, Tacit Studio Gallery, Melbourne, Australia


Colliding Borders: Multiple Senses of Belonging, Sam Merrifield Library, Fringe Festival, Australia, curated by Kelly Yoon
Glimmer, Red Gallery, Australia, Melbourne

New Perspectives, Crowther Contemporary, Australia, Melbourne
Breach, Project Space George Paton Gallery, Australia, Melbourne




	2017
	

Transience, Victorian College of the Arts, Australia, Melbourne
CUT &#38;amp; PASTE, Red Gallery, Australia, Melbourne
Fundraisers 2017, SEVENTH Gallery, Australia, Melbourne
Immerse Festival 2017, Knox City, Australia, Melbourne




	2016
	

Art Trail - Open Spaces, Abbotsford Convent, Australia, Melbourne 
Australian Landscape Painting, Victorian College of the Arts, Australia, Melbourne
None of us are in here, Victorian College of the Arts, Australia, Melbourne




	2015
	

Half Way There, Melbourne City Library, Australia, Melbourne
Within/Without, Victorian College of the Arts, Australia, Melbourne



Commissions
	2020
	

Faded, but still there, Shelter (Covid-19 online commission project), Multicultural Arts Victoria, Australia



	2019
	

WAHLAU-EH, EAT MY YEOT SH*T, Emerge in Yarra Festival, School House Studios, Australia, Melbourne



Collections
	2018
	Private collections, Australia, Melbourne


	2013
	Private collections, Singapore




Publications

2021
	Conserving Melbourne’s creative heritage. Co-author Dr. James Lesh and Ellen Yeong Gyeong Son. Pursuit, The University of Melbourne, Australia.




2020
	The John Hancock Tower, Boston: Investigating The Cuase of The Glass Failure and The Birth of Its Design. Author Ellen Yeong Gyeong Son. MSDX Summer 2020, The University of Melbourne, Australia.



2018
	

Interview #54 - Ellen YG Son (Yoon, Kelly. Interviewer). Liminal Magazine.


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		<title>Itineraries of Escape</title>
				
		<link>https://ellenygson.info/Itineraries-of-Escape</link>

		<pubDate>Tue, 23 Jun 2020 04:50:04 +0000</pubDate>

		<dc:creator>Ellen Yeong Gyeong Son</dc:creator>

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	Ellen Yeong Gyeong Son
	

Home&#38;nbsp;

︎ &#38;nbsp;︎&#38;nbsp; 

 &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp;





	
	




In the name of love : 사랑이란 이름으로25 November 2023


Side Gate




	


	

A one-day exhibition about domestic space, ritual, and coping strategies for precarious times.

Curated by Anna Dunnill.

Participating artists: 

Anita Cummins, Ellen Yeong Gyeong Son, Gemma Watson, Maggie Hensel-Brown, Renae Coles, Ruby Brown, Ruth Cummins, and Sophie Cassar.
 

Digital Exhibition Catalogue with texts by Anna Dunnill &#38;amp; Ellen Yeong Gyeong Son.
This project was supported by 

Merri-Bek City Council through an Arts MerriBek Flourish Recovery Grant and NECCHi&#38;nbsp;

(East Coburg and
Newlands Neighbourhood Houses) for their auspicing and kind assistance.




	
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1&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;2

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3&#38;nbsp; &#38;nbsp;&#38;nbsp;
	


Details of works:
 

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;



1&#38;nbsp; &#38;nbsp;Eo-seo-oh-sae-yo, Please come in. 2019. Stools and Sandals covered in Bath Scrub Towels. Dimensions variable.

2 &#38;nbsp;Onggi Jonggi 옹기종기. 2019. Bath Scrub Towels and Thread. 174 cm x 213cm.


3&#38;nbsp; &#38;nbsp; Untitled. 2019. Performance.


︎︎︎ Back</description>
		
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	<item>
		<title>In the name of love 사랑이란 이름으로</title>
				
		<link>https://ellenygson.info/In-the-name-of-love</link>

		<pubDate>Sat, 19 Oct 2024 01:59:37 +0000</pubDate>

		<dc:creator>Ellen Yeong Gyeong Son</dc:creator>

		<guid isPermaLink="true">https://ellenygson.info/In-the-name-of-love</guid>

		<description>
	Ellen Yeong Gyeong Son
	

Home&#38;nbsp;

︎ &#38;nbsp;︎&#38;nbsp; 

 &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp;





	
	




In the name of love : 사랑이란 이름으로10 Oct 2019 - 1 Nov 2019

Seventh Gallery






	


	


When an individual fails to live with their given national identity by birth, they can be treated as a cultural traitor. They often have to live through the suppression and containment that are deployed by their family, because of their lack of traditional cultural values. While ideally considered as a ‘nurturing’ space to its children, family often polices one’s true identity, causing nurture to slip into a kind of abuse in the name of their ‘love’.
In ‘In the name of love : 사랑이란 이름으로’,&#38;nbsp; Son explores the understanding of ‘love’ when an individual fails to perform their national identity given at birth. Using resin, bath scrub towels, video and cellophane, Son creates a shrine-like space, where one’s memories and experience have accumulated since childhood. In this space, Son explores the act of scratching and scrubbing as a form of meditation to rethink and construct one’s identity, as well as a removal of trauma and displacement of familial love. Through this repetitive labour, Son investigates the uniformity that families, the nurturing platforms, may enforce onto individuals, and the transitional line that lies between nurture and abuse. Through the lens of cultural hybridity, Son invites viewers to explore the unsettled senses of belonging in the name of (their) love.
Proudly supported by Yarra City Council, Australia






&#38;nbsp;
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1





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2&#38;nbsp;



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3




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&#60;img width="2126" height="1417" width_o="2126" height_o="1417" data-src="https://freight.cargo.site/t/original/i/531a902037b24ae847a1ab70a4ea3aa16a90d08cc6215e480bd82343a5f88f61/Ellen-Yeong-Gyeong-Son---7UP-418.jpg" data-mid="219985081" border="0"  src="https://freight.cargo.site/w/1000/i/531a902037b24ae847a1ab70a4ea3aa16a90d08cc6215e480bd82343a5f88f61/Ellen-Yeong-Gyeong-Son---7UP-418.jpg" /&#62;4

&#60;img width="1362" height="2126" width_o="1362" height_o="2126" data-src="https://freight.cargo.site/t/original/i/bdd3045b925c4a32f1358786f39306d71a2063241c796576941cf2e1a6ff904d/Ellen-Yeong-Gyeong-Son---7UP-221.jpg" data-mid="219985074" border="0"  src="https://freight.cargo.site/w/1000/i/bdd3045b925c4a32f1358786f39306d71a2063241c796576941cf2e1a6ff904d/Ellen-Yeong-Gyeong-Son---7UP-221.jpg" /&#62;
&#60;img width="1417" height="2126" width_o="1417" height_o="2126" data-src="https://freight.cargo.site/t/original/i/6d99fa8b8677635a13d23092bfc478d53ea584f7bd8154b62117141598b9063f/Ellen-Yeong-Gyeong-Son---7UP-206.jpg" data-mid="219985073" border="0"  src="https://freight.cargo.site/w/1000/i/6d99fa8b8677635a13d23092bfc478d53ea584f7bd8154b62117141598b9063f/Ellen-Yeong-Gyeong-Son---7UP-206.jpg" /&#62;
&#60;img width="2126" height="1417" width_o="2126" height_o="1417" data-src="https://freight.cargo.site/t/original/i/60c1cd0695d8cee88135950144a6ca2e709692af393459fecc319f4da6cb2a2b/Ellen-Yeong-Gyeong-Son---7UP-254.jpg" data-mid="219985075" border="0"  src="https://freight.cargo.site/w/1000/i/60c1cd0695d8cee88135950144a6ca2e709692af393459fecc319f4da6cb2a2b/Ellen-Yeong-Gyeong-Son---7UP-254.jpg" /&#62;
5



&#60;img width="1417" height="2126" width_o="1417" height_o="2126" data-src="https://freight.cargo.site/t/original/i/03610aaa754620a58360ce7065d4e8b7342eb5bbee881e12cad7272fc5ca7404/Ellen-Yeong-Gyeong-Son---7UP-283.jpg" data-mid="219985076" border="0"  src="https://freight.cargo.site/w/1000/i/03610aaa754620a58360ce7065d4e8b7342eb5bbee881e12cad7272fc5ca7404/Ellen-Yeong-Gyeong-Son---7UP-283.jpg" /&#62;
 6



&#60;img width="2126" height="1416" width_o="2126" height_o="1416" data-src="https://freight.cargo.site/t/original/i/ba6aef9b9ae2e8ae2958a46441686518313f82bbf854f63f292a6e3ea28f1f30/Ellen-Yeong-Gyeong-Son---7UP-304.jpg" data-mid="219985078" border="0"  src="https://freight.cargo.site/w/1000/i/ba6aef9b9ae2e8ae2958a46441686518313f82bbf854f63f292a6e3ea28f1f30/Ellen-Yeong-Gyeong-Son---7UP-304.jpg" /&#62;
&#60;img width="2126" height="1417" width_o="2126" height_o="1417" data-src="https://freight.cargo.site/t/original/i/b7e904f47856d959a5c7b4d63480288dbab8e281156c322d8a0c0585b8f481a2/Ellen-Yeong-Gyeong-Son---7UP-327.jpg" data-mid="219985079" border="0"  src="https://freight.cargo.site/w/1000/i/b7e904f47856d959a5c7b4d63480288dbab8e281156c322d8a0c0585b8f481a2/Ellen-Yeong-Gyeong-Son---7UP-327.jpg" /&#62;
7

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/40e9235f471446455eed9b573372d65ef1057b207bfdf93de3364bf8cc0bb1dd/20191026_151514.jpg" data-mid="219985083" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/40e9235f471446455eed9b573372d65ef1057b207bfdf93de3364bf8cc0bb1dd/20191026_151514.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/7b7641679677b7467e2a6e0245b7bade9c8c41e1cf153c6bba0bc70a66734fe1/20191026_155929.jpg" data-mid="219985084" border="0"  src="https://freight.cargo.site/w/1000/i/7b7641679677b7467e2a6e0245b7bade9c8c41e1cf153c6bba0bc70a66734fe1/20191026_155929.jpg" /&#62;
ii



Details of works:
 

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


1&#38;nbsp; &#38;nbsp;IN THE NAME OF LOVE, I WILL NURTURE AND PUNISH YOU 사랑이란 이름으로 . 2019. Scratched Cellophane, Aluminium, Magnets, and Double-sided Tape. 350cm x 200cm.

2&#38;nbsp; &#38;nbsp;Eo-seo-oh-sae-yo, Please come in. 2019. Stools and Sandals covered in Bath Scrub Towels. Dimensions variable.

3&#38;nbsp; &#38;nbsp;The mark, the link that can’t be erased and never fades 사라지지도 지워지지도 않는 자국, 그 연결 고리. 2019. Looped Video.
4 &#38;nbsp; Untitled. 2019. Performance.
5&#38;nbsp; &#38;nbsp;Drawing a circle with a finger tip 손가락 끝으로 그려지는 동그란 원. 2019. Resin, Tile, and Steel. 20.2cm x 20.1cm x 104.3cm.
6&#38;nbsp; &#38;nbsp;Shimmering waves 출렁이는 물결. 2019. Scratched Cellophane and Wood. 40.4cm x 50.6cm.
7&#38;nbsp; &#38;nbsp;Onggi Jonggi 옹기종기. 2019. Bath Scrub Towels and Thread. 174 cm x 213cm.
8&#38;nbsp; &#38;nbsp;In the(ir) name of love, (그들의) 사랑이란 이름으로. 2019. Scratched Cellophane and Resin. 23.3cm x 25.5cm x 1.4cm.
ii&#38;nbsp; Free sewing workshop and artist talk with the general public on the 26 Oct 2019
Photo credit: Christo Crocker
︎︎︎ Back</description>
		
	</item>
		
		
	<item>
		<title>WA LAU EH EAT MY YEOT SH*T</title>
				
		<link>https://ellenygson.info/WA-LAU-EH-EAT-MY-YEOT-SH-T</link>

		<pubDate>Tue, 23 Jun 2020 13:40:07 +0000</pubDate>

		<dc:creator>Ellen Yeong Gyeong Son</dc:creator>

		<guid isPermaLink="true">https://ellenygson.info/WA-LAU-EH-EAT-MY-YEOT-SH-T</guid>

		<description>
	Ellen Yeong Gyeong Son


	︎ &#38;nbsp;︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;








	
	


WA LAU EH EAT MY YEOT SH*T17 Oct 2019 - 25 Oct 2019

School House Studios






	


	





WA LAU EH EAT MY YEOT SH*T is a commissioned banner project that explores the lingering oppression of female sexuality in Korean family tradition. Deeply rooted in Confucianism, Korean families practiced oppression on females including widow suicide, concubinage, and abortion of female-child pregnancy.

The oppression still lingers to this day, reinforcing a gender dichotomy as well as diminishing female sexuality and individualism. Having lived in Korea and Singapore, Son utilises Singlish (Singaporean-English) slang and phonetically translated Korean in English sentences to create colourful expressions that criticize the lingering residues of the female oppression.

Son welcomes viewers to touch the banner and utilize these unique expressions into their everyday conversation.



This exhibiton was part of Emerge in Yarra 2019Proudly supported by Multicultural Arts Victoria&#38;nbsp;




&#60;img width="1417" height="2126" width_o="1417" height_o="2126" data-src="https://freight.cargo.site/t/original/i/1799e4b2689e28d83ecedc4816bcfc5757c506051aa873c4deb767bba8705e32/Ellen-Yeong-Gyeong-Son---Schoolhouse-Studios-036.jpg" data-mid="75524432" border="0"  src="https://freight.cargo.site/w/1000/i/1799e4b2689e28d83ecedc4816bcfc5757c506051aa873c4deb767bba8705e32/Ellen-Yeong-Gyeong-Son---Schoolhouse-Studios-036.jpg" /&#62;
&#60;img width="2126" height="1417" width_o="2126" height_o="1417" data-src="https://freight.cargo.site/t/original/i/8322815d1a83f8f86bb195cc8c1e658346b520d95dab9ad0d1b2cb5b6db45d7c/Ellen-Yeong-Gyeong-Son---Schoolhouse-Studios-078.jpg" data-mid="75524433" border="0"  src="https://freight.cargo.site/w/1000/i/8322815d1a83f8f86bb195cc8c1e658346b520d95dab9ad0d1b2cb5b6db45d7c/Ellen-Yeong-Gyeong-Son---Schoolhouse-Studios-078.jpg" /&#62;
&#60;img width="2126" height="1417" width_o="2126" height_o="1417" data-src="https://freight.cargo.site/t/original/i/1627046fa5cee29785fb3948cc89c693d63b42a7a32668d5e4bfbaefd2f5d43b/Ellen-Yeong-Gyeong-Son---Schoolhouse-Studios-140.jpg" data-mid="75524435" border="0"  src="https://freight.cargo.site/w/1000/i/1627046fa5cee29785fb3948cc89c693d63b42a7a32668d5e4bfbaefd2f5d43b/Ellen-Yeong-Gyeong-Son---Schoolhouse-Studios-140.jpg" /&#62;
&#60;img width="1417" height="2126" width_o="1417" height_o="2126" data-src="https://freight.cargo.site/t/original/i/834acacaa7434779084972fe3b80d959af76ade330766d295e6c6d6b5ec945c0/Ellen-Yeong-Gyeong-Son---Schoolhouse-Studios-103.jpg" data-mid="75524434" border="0"  src="https://freight.cargo.site/w/1000/i/834acacaa7434779084972fe3b80d959af76ade330766d295e6c6d6b5ec945c0/Ellen-Yeong-Gyeong-Son---Schoolhouse-Studios-103.jpg" /&#62;
1



Details of works:
 

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


1 &#38;nbsp; WA LAU EH EAT MY YEOT SH*T. 2019.&#38;nbsp; Red PVC Door Strips, Double-sided Tape, Hologram Tape, Screws, Chains and Aluminium. 136cm wide x 186.5cm.

Photo credit: Christo Crocker


︎︎︎ Back




</description>
		
	</item>
		
		
	<item>
		<title>In the name of love</title>
				
		<link>https://ellenygson.info/In-the-name-of-love-1</link>

		<pubDate>Wed, 24 Jun 2020 11:15:21 +0000</pubDate>

		<dc:creator>Ellen Yeong Gyeong Son</dc:creator>

		<guid isPermaLink="true">https://ellenygson.info/In-the-name-of-love-1</guid>

		<description>
	Ellen Yeong Gyeong Son


	



︎ &#38;nbsp;︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;






In the name of love

5 June 2019 - 29 June 2019



Bus Projects, Australia







	


	





In the name of love is two resin works that explore the definition of ‘Mother’ and the familial love as unescapable boundary and belonging. This project became a foundation project for In the name of love : 사랑이란 이름으로 (2019) at SEVENTH Gallery.&#38;nbsp;
Read the short essay here

In the name of love was part of the group exhibtion, Mother, curated by Latifa Emlrini and Jacinta Keefe:


“In a child’s eyes, a mother is a goddess. She can be glorious or terrible, benevolent or filled with wrath, but she commands love either way. I am convinced that this is the greatest power in the universe.”– N.K. Jemisin, The Hundred Thousand Kingdoms (2010)
Mothers, most of us have them in some way or another, but we don’t often think about what a Mother is or can be. Mothers can be human or they can be an idea, a feeling, a shadow that follows us, desires from within or presences that make the hair stand up on your arm.

This exhibition doesn’t define a mother by the usual definitions, “a woman in relation to her child or children, to bring up a child with care and affection” or “give birth to”. We are exploring the effect of the essential force of the “mother” whether it is indeed the person we relate or disassociate with, the animate or inanimate and how it impacts our lives.



Participating artsits: Latifa Elmrini, Jacinta Keefe, Zea Rous, IchikawaEdward, Tess Landells, Zara Sully &#38;amp; Ellen YG Son
View images of the exhibition here&#38;nbsp;




&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/5ec02d9ce56c8b233fbeed6ad3e75e81bc990fb952b28b2ff9db452e06f7471a/EYGS_Bus-Projects-2803.jpg" data-mid="75526783" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/5ec02d9ce56c8b233fbeed6ad3e75e81bc990fb952b28b2ff9db452e06f7471a/EYGS_Bus-Projects-2803.jpg" /&#62;
&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/9aaa787f9662b38906bb2a4e6f9252ce04762adda59c4de33b48fcb81c3f63dd/EYGS_Bus-Projects-2814.jpg" data-mid="75526785" border="0"  src="https://freight.cargo.site/w/1000/i/9aaa787f9662b38906bb2a4e6f9252ce04762adda59c4de33b48fcb81c3f63dd/EYGS_Bus-Projects-2814.jpg" /&#62;
&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/6be1d50c7aa9b0e3f6e8cb9ec8b4e450640eb2078160d7bf38d3f1868f9953f2/EYGS_Bus-Projects-2810.jpg" data-mid="75526784" border="0"  src="https://freight.cargo.site/w/1000/i/6be1d50c7aa9b0e3f6e8cb9ec8b4e450640eb2078160d7bf38d3f1868f9953f2/EYGS_Bus-Projects-2810.jpg" /&#62;



&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/d15538645f782c1ed090976ede5a78b1ac925e1f21b233fed2cbb4bf4732762e/EYGS_Bus-Projects-2910.jpg" data-mid="75526792" border="0"  src="https://freight.cargo.site/w/1000/i/d15538645f782c1ed090976ede5a78b1ac925e1f21b233fed2cbb4bf4732762e/EYGS_Bus-Projects-2910.jpg" /&#62;
1


&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/17cda6b602a32c7fcee92127e3d0489e1258f04809648016f18072ed7f8a80a9/EYGS_Bus-Projects-2902.jpg" data-mid="75526790" border="0"  src="https://freight.cargo.site/w/1000/i/17cda6b602a32c7fcee92127e3d0489e1258f04809648016f18072ed7f8a80a9/EYGS_Bus-Projects-2902.jpg" /&#62;
&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/765b9464c10de0bd061dab7f7eb065e022e78ba7805f5fb36e0c8504efd619ab/EYGS_Bus-Projects-2901.jpg" data-mid="75526788" border="0"  src="https://freight.cargo.site/w/1000/i/765b9464c10de0bd061dab7f7eb065e022e78ba7805f5fb36e0c8504efd619ab/EYGS_Bus-Projects-2901.jpg" /&#62;



&#60;img width="1575" height="2362" width_o="1575" height_o="2362" data-src="https://freight.cargo.site/t/original/i/504399cb3318ccf3c0f0ed3a810a7243c3413dcda745bdbcba31ff30ce361242/EYGS_Bus-Projects-2908.jpg" data-mid="75526791" border="0"  src="https://freight.cargo.site/w/1000/i/504399cb3318ccf3c0f0ed3a810a7243c3413dcda745bdbcba31ff30ce361242/EYGS_Bus-Projects-2908.jpg" /&#62;
&#60;img width="1575" height="2362" width_o="1575" height_o="2362" data-src="https://freight.cargo.site/t/original/i/4834730cb6bd94b171d2e307c3823e49728894d57a08bf85206883f160900e04/EYGS_Bus-Projects-2927.jpg" data-mid="75526793" border="0"  src="https://freight.cargo.site/w/1000/i/4834730cb6bd94b171d2e307c3823e49728894d57a08bf85206883f160900e04/EYGS_Bus-Projects-2927.jpg" /&#62;
2

&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/a85b8fcbeafd5db762bdff16300d0cfb6158d0b410141f8b5a94233912634b41/EYGS_Bus-Projects-2852.jpg" data-mid="75526787" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/a85b8fcbeafd5db762bdff16300d0cfb6158d0b410141f8b5a94233912634b41/EYGS_Bus-Projects-2852.jpg" /&#62;
&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/6bb915d4422f39f79d5cf4fceb1bfdd12eb49cf6b246e1b3a5591e6f5d42b569/EYGS_Bus-Projects-2850.jpg" data-mid="75526786" border="0"  src="https://freight.cargo.site/w/1000/i/6bb915d4422f39f79d5cf4fceb1bfdd12eb49cf6b246e1b3a5591e6f5d42b569/EYGS_Bus-Projects-2850.jpg" /&#62;

&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/44ba8f8f9fe9bce79674f02fc60181d71cc1d92e6b826f363789ef82dce28d9e/EYGS_Bus-Projects-2874.jpg" data-mid="75526290" border="0"  src="https://freight.cargo.site/w/1000/i/44ba8f8f9fe9bce79674f02fc60181d71cc1d92e6b826f363789ef82dce28d9e/EYGS_Bus-Projects-2874.jpg" /&#62;



Details of works:
 

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


1&#38;nbsp; &#38;nbsp;IN THE NAME OF LOVE, I WILL NURTURE AND PUNISH YOU. 2019. Scratched Cellophane and Resin. 234cm x 25cm x 2cm
2 &#38;nbsp; 
In the(ir) name of love, (그들의) 사랑이란 이름으로. 2019. Scratched Cellophane and Resin. 23.3cm x 25.5cm x 1.4cm.
Photo credit: Lucy Foster


︎︎︎ Back



</description>
		
	</item>
		
		
	<item>
		<title>Let us all combine, Majulah Moogoonghwa Fair</title>
				
		<link>https://ellenygson.info/Let-us-all-combine-Majulah-Moogoonghwa-Fair</link>

		<pubDate>Fri, 26 Jun 2020 05:46:35 +0000</pubDate>

		<dc:creator>Ellen Yeong Gyeong Son</dc:creator>

		<guid isPermaLink="true">https://ellenygson.info/Let-us-all-combine-Majulah-Moogoonghwa-Fair</guid>

		<description>
	Ellen Yeong Gyeong Son


	

︎ &#38;nbsp;︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;






Let us all combine, Majulah Moogoonghwa Fair

5 Dec 2018 - 8 Dec 2018 &#38;nbsp;



SpAce@Collins

, Australia






	

&#60;img width="496" height="673" width_o="496" height_o="673" data-src="https://freight.cargo.site/t/original/i/26cb03a9530983d531407f9aa58dc28aece8b2c740c0185f2f5dcc3d3bbc17f8/Ellen.jpg" data-mid="75697194" border="0"  src="https://freight.cargo.site/w/496/i/26cb03a9530983d531407f9aa58dc28aece8b2c740c0185f2f5dcc3d3bbc17f8/Ellen.jpg" /&#62;


	







“When I was six, my friends and I had to make coloured glasses with cellophanes in class: red casting over my left eye, while blue over my right eye. The world that we saw through these lenses was affected. It was peculiar to see my friends and teachers moving around with purple bodies that glitched across a spectrum of red and blue. Years later, I moved from Korea to Singapore, then to Australia. The experiences of meeting people from other cultures recalled the experience of my childhood. I realized that my view of other cultures has always been filtered through Korean coloured lenses, and the vision of the world that I once thought ‘normal’ was not everything. In this 21st century globalized world, migrations, advanced technologies and the Internet have blurred the boundaries between cultures and races. In this vague realm, people have become hybrids characterized by multicultural identities that are not bounded by one specific culture.”Let us all combine, Majulah Moogoonghwa Fair (2018) is series of cellophane banners that explore what it means to be a contemporary cultural hybrid in the 21st century globalized world, and to locate meaning in an indeterminate sense of belonging through a poetic approach. Son engages her different cultural memories and experiences by forming sentences that involve fragments of phonetically translated Korean words, Australian and Singaporean slangs. These texts may result in mistranslation as they may have dual meanings in different cultures; but such mistranslation and grammatical errors illustrate Son's senses of belonging to these cultures are neither definite nor indefinite. The combined imageries from these cultures further demonstrate that Son's identity do not tie in with one specific culture, but exists on the borderlines of these unique cultures. These texts and images make up series of delicate cellophane banners that act as Son's coloured lenses that allow her to restlessly question her identity.

-------------

Let us all combine, Majulah Moogoonghwa Fair (2018) was part of a group exhibition, “The Depth of Simplicity”, curated by Pimpisa Tinpalit as part of Mapping Melbourne Festival:



’The Depth of Simplicity’ presents the works of four contemporary artists based in Melbourne; Annette Chang, Ellen Yeong Gyeong Son, Supina Bytol and Pimpisa Tinpalit. The artworks in this exhibition are inspired by the artists’ life experiences. Utilizing different techniques and mediums, each artist involves themselves deeply in the project by imprinting their own feelings and thoughts and expressing them through visual presentation. ‘The Depth of Simplicity’ is presented in a partnership with the SpAce@Collins to promote high calibre Contemporary Asian art in Victoria.


Proudly supported by Multicultural Arts Victoria



&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/d91516987013ca9a0f2cdd879536f3e50f00a747601b263f9a1b7b4498f48233/Ellen-YG-Son_Collins-2387.jpg" data-mid="75697276" border="0"  src="https://freight.cargo.site/w/1000/i/d91516987013ca9a0f2cdd879536f3e50f00a747601b263f9a1b7b4498f48233/Ellen-YG-Son_Collins-2387.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/07fa84fb6015ef38763d3a354e9678a98bbbfa446f5d21dfe5cc64856505c6f2/Ellen-YG-Son_Collins-2346.jpg" data-mid="75697246" border="0"  src="https://freight.cargo.site/w/1000/i/07fa84fb6015ef38763d3a354e9678a98bbbfa446f5d21dfe5cc64856505c6f2/Ellen-YG-Son_Collins-2346.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/664a54842c714d15c984dddbd82e3c599cf5c3aba7d68ffcd3dd7c840bee9baa/Ellen-YG-Son_Collins-2347.jpg" data-mid="75697247" border="0"  src="https://freight.cargo.site/w/1000/i/664a54842c714d15c984dddbd82e3c599cf5c3aba7d68ffcd3dd7c840bee9baa/Ellen-YG-Son_Collins-2347.jpg" /&#62;
1

&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/20fa354ab1d194dd62aea83f494b3a8ddaed15aff6da842f55f57a38d008c2c3/Ellen-YG-Son_Collins-2351.jpg" data-mid="75697266" border="0"  src="https://freight.cargo.site/w/1000/i/20fa354ab1d194dd62aea83f494b3a8ddaed15aff6da842f55f57a38d008c2c3/Ellen-YG-Son_Collins-2351.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/d8385c51f7039f585cf2f9774022c6e998fcb9991aada70c234b22fc57376a2c/Ellen-YG-Son_Collins-2352.jpg" data-mid="75697267" border="0"  src="https://freight.cargo.site/w/1000/i/d8385c51f7039f585cf2f9774022c6e998fcb9991aada70c234b22fc57376a2c/Ellen-YG-Son_Collins-2352.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/147ed31a177263e905bed36cf260ab89feb56ef5d51b0dcd8d020ce24ff9a98b/Ellen-YG-Son_Collins-2354.jpg" data-mid="75697269" border="0"  src="https://freight.cargo.site/w/1000/i/147ed31a177263e905bed36cf260ab89feb56ef5d51b0dcd8d020ce24ff9a98b/Ellen-YG-Son_Collins-2354.jpg" /&#62;
2


&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/f7c9e2c8b6a7d368d3896fed7395cbeb8abc1c7494abb918217daae355f41831/Ellen-YG-Son_Collins-2378.jpg" data-mid="75697273" border="0"  src="https://freight.cargo.site/w/1000/i/f7c9e2c8b6a7d368d3896fed7395cbeb8abc1c7494abb918217daae355f41831/Ellen-YG-Son_Collins-2378.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/7a4e5ab5eb69730f21b1b1d564ee0135d41f19d109f09d7375ee3193a5b76cdb/Ellen-YG-Son_Collins-2369.jpg" data-mid="75697270" border="0"  src="https://freight.cargo.site/w/1000/i/7a4e5ab5eb69730f21b1b1d564ee0135d41f19d109f09d7375ee3193a5b76cdb/Ellen-YG-Son_Collins-2369.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/8db34989f98fb18446a48dab43f70287a77c5ded4c4535fdf270bc92ad6afd3f/Ellen-YG-Son_Collins-2373.jpg" data-mid="75697271" border="0"  src="https://freight.cargo.site/w/1000/i/8db34989f98fb18446a48dab43f70287a77c5ded4c4535fdf270bc92ad6afd3f/Ellen-YG-Son_Collins-2373.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/db44d4472c791093631544fbb75fbc878d1933eeb93b6a65595c9c936a127493/Ellen-YG-Son_Collins-2376.jpg" data-mid="75697272" border="0"  src="https://freight.cargo.site/w/1000/i/db44d4472c791093631544fbb75fbc878d1933eeb93b6a65595c9c936a127493/Ellen-YG-Son_Collins-2376.jpg" /&#62;
3


&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/60bb2e88e1e9f4d18f5fc60f0015d780232a7644da0f4d99d7547abd1c809888/Ellen-YG-Son_Collins-2384.jpg" data-mid="75697275" border="0"  src="https://freight.cargo.site/w/1000/i/60bb2e88e1e9f4d18f5fc60f0015d780232a7644da0f4d99d7547abd1c809888/Ellen-YG-Son_Collins-2384.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/20151b8b21f892bde57a10556c6c685a1e9572222519893a499a056c63d99a7f/Ellen-YG-Son_Collins-2381.jpg" data-mid="75697274" border="0"  src="https://freight.cargo.site/w/1000/i/20151b8b21f892bde57a10556c6c685a1e9572222519893a499a056c63d99a7f/Ellen-YG-Son_Collins-2381.jpg" /&#62;
4


&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/2371f932fcd725285b78e73925060dc1bf83be254bb15d3cad8c6270230aae46/Ellen-YG-Son_Collins-2408_2.jpg" data-mid="75697279" border="0"  src="https://freight.cargo.site/w/800/i/2371f932fcd725285b78e73925060dc1bf83be254bb15d3cad8c6270230aae46/Ellen-YG-Son_Collins-2408_2.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/64603b701747a211b4bdcc3119513978bff120d60990d8a5afee8494a5544176/Ellen-YG-Son_Collins-2411.jpg" data-mid="75697280" border="0"  src="https://freight.cargo.site/w/1000/i/64603b701747a211b4bdcc3119513978bff120d60990d8a5afee8494a5544176/Ellen-YG-Son_Collins-2411.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/6fc20e984d3465d8199930bbfe3d2a114b41c4a38fa42f531bca041047098504/Ellen-YG-Son_Collins-2412.jpg" data-mid="75697281" border="0"  src="https://freight.cargo.site/w/1000/i/6fc20e984d3465d8199930bbfe3d2a114b41c4a38fa42f531bca041047098504/Ellen-YG-Son_Collins-2412.jpg" /&#62;
5


Details of works:
 

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


1 &#38;nbsp; 
Yeot Sh*t, Sh*t Shat,
Shek It Out. 2018.

Scratched
Cellophane,
Aluminium,
Thread, and
Tape. 46cm x 48cm.&#38;nbsp; 


2 &#38;nbsp; 

Mi Gordito Lindo,
They Buxuyao
Tojo-ken

. 2018. 

Scratched
Cellophane,
Aluminium,
Thread, Tape
and PVC
Plastic. 
52cm x 40.5cm.


3 &#38;nbsp;

Ooi, Dong Ji,
Where is your
ticket, arrr?. 2018. 
Scratched
Cellophane,
Aluminium,
Thread, Tape,
and PVC
Plastic. 
42cm x 31.5cm.&#38;nbsp; &#38;nbsp; 


4. 

Braid Us Together. 2018.

Scratched
Cellophane,
Aluminium,
Thread, and
Tape. 
140cm x 140cm. 



Photo credit: Lucy Foster


︎︎︎ Back



</description>
		
	</item>
		
		
	<item>
		<title>Uncle, Auntie, Mate, 나는?</title>
				
		<link>https://ellenygson.info/Uncle-Auntie-Mate</link>

		<pubDate>Fri, 26 Jun 2020 06:19:29 +0000</pubDate>

		<dc:creator>Ellen Yeong Gyeong Son</dc:creator>

		<guid isPermaLink="true">https://ellenygson.info/Uncle-Auntie-Mate</guid>

		<description>
	Ellen Yeong Gyeong Son


	

︎ &#38;nbsp;︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;






Uncle, Auntie, Mate, 나는?

5 Dec 2018 - 8 Dec 2018 &#38;nbsp;Sam Merrifield Library, Australia






	&#60;img width="2479" height="3508" width_o="2479" height_o="3508" data-src="https://freight.cargo.site/t/original/i/8b62f502cf00e2999a7a75f641830d5dc5cc3df70924f9f4396e5bdb81b4fff0/FINAL-Fringe-Ellen-printing.jpg" data-mid="75698307" border="0"  src="https://freight.cargo.site/w/1000/i/8b62f502cf00e2999a7a75f641830d5dc5cc3df70924f9f4396e5bdb81b4fff0/FINAL-Fringe-Ellen-printing.jpg" /&#62;


	






Uncle, Auntie, Mate, 나는? (2018) explores Son’s identity as ‘culture unspecified’ that ponders between Australian, Korean and Singaporean cultures and communites. The act of scratching and sewing on cellophanes are Son’s method of inscribing, erasing, layering and censoring the borderlines of these unique cultures that often do not intersect with one another. Son engages her different cultural memories and experiences by forming sentences that involve fragments of phonetically translated Korean words, Australian and Singaporean slangs. The texts and images make up series of delicate cellophane banners that act as Son’s coloured lenses that allows her to restlessly question her identity and to look out for new cultures that she hasn’t yet explored. Audience are encouraged to read out these texts to explore Son’s extraterritorial sense of belonging within the unspecified zones of these cultures.



-------------



Uncle, Auntie, Mate, 나는? (2018)

 was part of a group exhibition, “Coliding Borders: Multiple Senses of Belonging”, curated by Kelly Yoon as part of Fringe Festival 2018:
Exploring sociocultural diversity in identities to find a true personal sense of self





In this multimedia exhibition, artists explore the sociocultural diversity in identities on their journey to find a true sense of self as 21st century global citizen. Identities like nationality or ethnicity are instantly given or assigned to a person at birth. However, identities form beyond these traditional definitions as individuals grow and develop a sense of belonging to multiple cultures and communities. The exhibition extends the new narratives of social, cultural and sexual diversity across the three venues: Sam Merrifield Library, Niddrie Library, and Flemington Library. The artists are challenged to work within community spaces outside the white-cube gallery, and to directly interact with the audiences.





Exhibiting artists: Ellen YG Son, Anna Dunnill, Marcela Escudero, Ashely Perry, Anna Dunnill, Yumemi Hirarki, Chaohui Xie, Kelly Yoon


&#60;img width="5343" height="3562" width_o="5343" height_o="3562" data-src="https://freight.cargo.site/t/original/i/472f9acdb5c0370e1cc059003d8a5a3e377395328571aee58e02972294fabf3a/Ellen-Library-21.jpg" data-mid="75698306" border="0"  src="https://freight.cargo.site/w/1000/i/472f9acdb5c0370e1cc059003d8a5a3e377395328571aee58e02972294fabf3a/Ellen-Library-21.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/91e34711b4b4145f9f3356c699421a650b8b2bc94b9ce1e0584cc9a8f967dc9f/Ellen-Library-19.jpg" data-mid="75698304" border="0"  src="https://freight.cargo.site/w/1000/i/91e34711b4b4145f9f3356c699421a650b8b2bc94b9ce1e0584cc9a8f967dc9f/Ellen-Library-19.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/e2a62db644034021a398956f24276f4f92fad1d4c9a45f22bf3cc3eb045a9f2b/Ellen-Library-20.jpg" data-mid="75698305" border="0"  src="https://freight.cargo.site/w/1000/i/e2a62db644034021a398956f24276f4f92fad1d4c9a45f22bf3cc3eb045a9f2b/Ellen-Library-20.jpg" /&#62;
&#60;img width="5445" height="3630" width_o="5445" height_o="3630" data-src="https://freight.cargo.site/t/original/i/de7012c7b0566dff45d101e0ce5949668d97dab119b6e44f53b1e05c7c3a936b/Ellen-Library-15.jpg" data-mid="75698301" border="0"  src="https://freight.cargo.site/w/1000/i/de7012c7b0566dff45d101e0ce5949668d97dab119b6e44f53b1e05c7c3a936b/Ellen-Library-15.jpg" /&#62;





&#60;img width="3553" height="5330" width_o="3553" height_o="5330" data-src="https://freight.cargo.site/t/original/i/147956f393dcf024b902585e493b8ae71f9cc9e3162e02bde12e89937e69c892/Ellen-Library-2.jpg" data-mid="75698292" border="0"  src="https://freight.cargo.site/w/1000/i/147956f393dcf024b902585e493b8ae71f9cc9e3162e02bde12e89937e69c892/Ellen-Library-2.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/a1f39cb6b24d316ab2a6f8f8449f50cad0be3583148e2908ef3a3c99eba9f833/Ellen-Library-5.jpg" data-mid="75698293" border="0"  src="https://freight.cargo.site/w/1000/i/a1f39cb6b24d316ab2a6f8f8449f50cad0be3583148e2908ef3a3c99eba9f833/Ellen-Library-5.jpg" /&#62;
&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/fdb00f53c935052768603d5bdc0f9f9f784c1d4b6d2db5408078d7685f2ff4c3/Ellen-Library-1jpg.jpg" data-mid="75698291" border="0"  src="https://freight.cargo.site/w/1000/i/fdb00f53c935052768603d5bdc0f9f9f784c1d4b6d2db5408078d7685f2ff4c3/Ellen-Library-1jpg.jpg" /&#62;
&#60;img width="5433" height="3622" width_o="5433" height_o="3622" data-src="https://freight.cargo.site/t/original/i/0e8930c9ca80efe8d8d36333be8e02a649e9169142ac34358b3181fe2befec04/Ellen-Library-6.jpg" data-mid="75698294" border="0"  src="https://freight.cargo.site/w/1000/i/0e8930c9ca80efe8d8d36333be8e02a649e9169142ac34358b3181fe2befec04/Ellen-Library-6.jpg" /&#62;


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&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/c4c8e2bdaa12f7fc00e7d9eff70cb849225cbd7eecf821fb8055adfa05967b51/Ellen-Library-8.jpg" data-mid="75698296" border="0"  src="https://freight.cargo.site/w/1000/i/c4c8e2bdaa12f7fc00e7d9eff70cb849225cbd7eecf821fb8055adfa05967b51/Ellen-Library-8.jpg" /&#62;



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&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/88933f9a602c07bdf3d3f8d80325f6003886aeeb32ebbc62ce3c391a9081dfd2/Ellen-Library-11.jpg" data-mid="75698298" border="0"  src="https://freight.cargo.site/w/1000/i/88933f9a602c07bdf3d3f8d80325f6003886aeeb32ebbc62ce3c391a9081dfd2/Ellen-Library-11.jpg" /&#62;


&#60;img width="3286" height="4659" width_o="3286" height_o="4659" data-src="https://freight.cargo.site/t/original/i/c5ff606305ef3b4c5ab5801c2ab55122a839234b7db1ea3b854d1187ca0f4481/Ellen-Library-14.jpg" data-mid="75698300" border="0"  src="https://freight.cargo.site/w/1000/i/c5ff606305ef3b4c5ab5801c2ab55122a839234b7db1ea3b854d1187ca0f4481/Ellen-Library-14.jpg" /&#62;
&#60;img width="3485" height="5227" width_o="3485" height_o="5227" data-src="https://freight.cargo.site/t/original/i/4413b0b90e54882d6eb1a377247cac607ac1cf1a099b3225035440dbd60b788d/Ellen-Library-12.jpg" data-mid="75698299" border="0"  src="https://freight.cargo.site/w/1000/i/4413b0b90e54882d6eb1a377247cac607ac1cf1a099b3225035440dbd60b788d/Ellen-Library-12.jpg" /&#62;

&#60;img width="3525" height="5287" width_o="3525" height_o="5287" data-src="https://freight.cargo.site/t/original/i/aafcc6732b62132d63c8378eccdf0db9ffa93a4e5cb6140c708d5b4345cde539/Ellen-Library-16.jpg" data-mid="75698302" border="0"  src="https://freight.cargo.site/w/1000/i/aafcc6732b62132d63c8378eccdf0db9ffa93a4e5cb6140c708d5b4345cde539/Ellen-Library-16.jpg" /&#62;
&#60;img width="4960" height="3307" width_o="4960" height_o="3307" data-src="https://freight.cargo.site/t/original/i/3aef12fecc2b24042a9d8e1bc2b3cca85cf9214acf1681297da561298c509dde/Ellen-Library-17.jpg" data-mid="75698303" border="0"  src="https://freight.cargo.site/w/1000/i/3aef12fecc2b24042a9d8e1bc2b3cca85cf9214acf1681297da561298c509dde/Ellen-Library-17.jpg" /&#62;






Photo credit: Recreate


︎︎︎ Back



</description>
		
	</item>
		
		
	<item>
		<title>Deep Cream Maradona</title>
				
		<link>https://ellenygson.info/Deep-Cream-Maradona</link>

		<pubDate>Sun, 28 Jun 2020 10:49:32 +0000</pubDate>

		<dc:creator>Ellen Yeong Gyeong Son</dc:creator>

		<guid isPermaLink="true">https://ellenygson.info/Deep-Cream-Maradona</guid>

		<description>
	Ellen Yeong Gyeong Son


	

︎ &#38;nbsp;︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;






Deep Cream Maradona23 May 2018 - 10 Jun 2018 &#38;nbsp;Red Gallery, Australia






	


	











Deep cream MaradonaMy best pink buddyWalks into their roomWith their gigantic jotSoaring up in the airAnd firing their goldPew pewYou now dippin’ and cookin’ in goldSwimmin’ in this custardBakin’ your jotJot jot jot so much jotWe could run a jotting sale




-------------





Deep Cream Maradona (2018) was exhibited in a group exhibition, ‘GLIMMER’
Five Melbourne-based artists assemble for the multidisciplinary installation; GLIMMER.

noun1. a faint or unsteady light; gleam.2. a dim perception; inkling.verb (used without object)3. to shine faintly or unsteadily; twinkle, shimmer, or flicker.4. to appear faintly or dimly.


Exhibiting artists: Clare Ellison Jakes, Jacquie Owers-Gayst, Benjamin J Baker, Ellen Yeong Gyeong Son, Hannah Potter










&#60;img width="5459" height="3639" width_o="5459" height_o="3639" data-src="https://freight.cargo.site/t/original/i/73b489c85ba159cc33bc75e208a2d59476301a38c1eb8e4a30160884e1b8e7c4/Ellen-Red-Gallery-4-of-5.jpg" data-mid="75851666" border="0"  src="https://freight.cargo.site/w/1000/i/73b489c85ba159cc33bc75e208a2d59476301a38c1eb8e4a30160884e1b8e7c4/Ellen-Red-Gallery-4-of-5.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/9276023d9a6ef65669fa54e1858e94f53921b731b1e5fcbfc3acdb1942acd931/Ellen-Red-Gallery-5-of-5.jpg" data-mid="75851669" border="0"  src="https://freight.cargo.site/w/1000/i/9276023d9a6ef65669fa54e1858e94f53921b731b1e5fcbfc3acdb1942acd931/Ellen-Red-Gallery-5-of-5.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/2858c87253cbb35e7ad3395077f7b2408d5e7a8aeb88f304d2da08a1d815d373/Ellen-Red-Gallery-1-of-5.jpg" data-mid="75851661" border="0"  src="https://freight.cargo.site/w/1000/i/2858c87253cbb35e7ad3395077f7b2408d5e7a8aeb88f304d2da08a1d815d373/Ellen-Red-Gallery-1-of-5.jpg" /&#62;



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&#60;img width="3000" height="2003" width_o="3000" height_o="2003" data-src="https://freight.cargo.site/t/original/i/c099cc29339de5d4293fa455f02c1e0845c789458e53166eb0a85e72ad57419d/Glimmer-GuyGrabowsky-3.jpg" data-mid="75851660" border="0"  src="https://freight.cargo.site/w/1000/i/c099cc29339de5d4293fa455f02c1e0845c789458e53166eb0a85e72ad57419d/Glimmer-GuyGrabowsky-3.jpg" /&#62;
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1 &#38;nbsp;

Deep Cream Maradona (2018). Scratched Cellophane, Fishing Wire, and Aluminium. Dimensions variable.







Photo credit: Recreate &#38;amp; Guy Grabowsky&#38;nbsp;

︎︎︎ Back



</description>
		
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	<item>
		<title>Yeot Sh*t</title>
				
		<link>https://ellenygson.info/Yeot-Sh-t</link>

		<pubDate>Sun, 28 Jun 2020 11:12:00 +0000</pubDate>

		<dc:creator>Ellen Yeong Gyeong Son</dc:creator>

		<guid isPermaLink="true">https://ellenygson.info/Yeot-Sh-t</guid>

		<description>
	Ellen Yeong Gyeong Son


	

︎ &#38;nbsp;︎&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;






Yeot Sh*tNov 2017 &#38;nbsp;Victorian College of the Arts Art Space, Australia









	
	
♫




Yo YoGive me the beat

I’m a Yeot, since I was young.I never do what they tell me to doIma stunt, cause I’m a YeotI’m your Yeot Yeot Yeot Yeot Yeot Yeot, Yeot sh*tI’m on my Yeot sh*tI’m on my Yeot sh*tYou ain’t a Yeot Pockets are young,You haven’t done sh*tBut fuck all that Yeot sh*tFuck all that Yeot sh*tI’m your Yeot Yeot Yeot Yeot Yeot Yeot, Yeot sh*tMi vida locaI’m raging with my Yeot stickNo one can stop meCuz’ everybody loves thatYou’re addicted to my Yeot sh*tYeah, addicted to my Yeot sh*tYou are on my Yeot Yeot Yeot Yeot Yeot Yeot, Yeot sh*tYeot meokoh Yeot, Yeot Yeot meokohYEAH, Yeot meokoh Yeot, Yeot Yeot meokohWhat? Yeot meokoh Yeot, Yeot Yeot meokohEverybody Yeot Yeot Yeot Yeot Yeot Yeot, YeottingKonglish sprinkle on your accentSpicy that you can’t even roll your tongue,Ain’t got a moneyAin’t got a honeyAin’t got a cauntryAin’t got my bodyAin’t got Ain’t gotIt’s so so so hard-KorYeot Yeot Yeot Yeot YeotSh*t Sh*t Sh*t Sh*t Sh*tEmbrace the yeotAnd yeot shall give you such an honourWe will party until yeot dies off[But I thought yeot doesn’t die?]OHYeot meokoh Yeot, Yeot Yeot meokohYEAH, Yeot meokoh Yeot, Yeot Yeot meokohWhat? Yeot meokoh Yeot, Yeot Yeot meokohEverybody Yeot Yeot Yeot Yeot Yeot Yeot, YeottingI’m on my Yeot sh*tI’m on my Yeot sh*tYou ain’t a YeotPockets are young,you haven’t done sh*tBut fuck all that Yeot sh*tFuck all that Yeot sh*tWe are all Yeot Yeot Yeot Yeot Yeot Yeot,Yeotting



Edited Lyrics - 

Ellen Yeong Gyeong Son

Lyrics and BGM reference: Hyung Shit by DumbfoundeadInstallation and outfits by Ellen Yeong Gyeong Son
Directed by 

Ellen Yeong Gyeong Son

Perfomers credits: Skye Baker, Tildy Davies, Joon Youn, Chiara Tenaglia 






&#60;img width="3000" height="2002" width_o="3000" height_o="2002" data-src="https://freight.cargo.site/t/original/i/615ad252eaef4188da7dc31cb00decb7c9ec4d6e3fbeaaae19fb8b37da7e4286/DSC_7974.jpg" data-mid="75851965" border="0"  src="https://freight.cargo.site/w/1000/i/615ad252eaef4188da7dc31cb00decb7c9ec4d6e3fbeaaae19fb8b37da7e4286/DSC_7974.jpg" /&#62;



&#60;img width="3000" height="2002" width_o="3000" height_o="2002" data-src="https://freight.cargo.site/t/original/i/9e6b8d20f74399f68b42e55d62cf15e7e90629e48eeeb03a8c95a3cb71149e43/DSC_7977.jpg" data-mid="75851967" border="0"  src="https://freight.cargo.site/w/1000/i/9e6b8d20f74399f68b42e55d62cf15e7e90629e48eeeb03a8c95a3cb71149e43/DSC_7977.jpg" /&#62;
&#60;img width="3000" height="2002" width_o="3000" height_o="2002" data-src="https://freight.cargo.site/t/original/i/286cbd1af78c0615a7340016492f579886fa0fe8ff2fc5d07a27a63a4361c5fb/DSC_7976.jpg" data-mid="75851966" border="0"  src="https://freight.cargo.site/w/1000/i/286cbd1af78c0615a7340016492f579886fa0fe8ff2fc5d07a27a63a4361c5fb/DSC_7976.jpg" /&#62;
&#60;img width="3000" height="2002" width_o="3000" height_o="2002" data-src="https://freight.cargo.site/t/original/i/0e6eb5c4fd97d6c2c6128b47f63b8b5bc692386cd8bb6dd472a979d9a98f4cfe/DSC_7987.jpg" data-mid="75851968" border="0"  src="https://freight.cargo.site/w/1000/i/0e6eb5c4fd97d6c2c6128b47f63b8b5bc692386cd8bb6dd472a979d9a98f4cfe/DSC_7987.jpg" /&#62;
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1





1 &#38;nbsp;

Yeot Sh*t (2017). Performance and multimedia installation
	
	
. 02:32mins





Photo &#38;amp; Film credit: Guy Grabowsky︎︎︎Back
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